Apr
26th
Mon
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Selling ads: brick by brick

Advertising giant OgilvyOne recently kicked off its contest to find the “World’s Greatest Salesman.” The New York agency is challenging people to sell a brick—a plain red brick—in one to two minutes, and then upload their pitch on OgilvyOne’s YouTube channel. The winner gets a three-month fellowship at the agency, and most likely, a whole bunch of hits on his/her video.

OgilvyOne has no shortage of job applicants; the contest is simply an attempt to “reinvigorate the noble art of salesmanship,” according to the call for entry site. The art mentioned is the craft and method of the agency’s founder, David Ogilvy. He built his legacy with the skills he acquired selling stoves door-to-door. In today’s agency though, creatives don’t go door-to-door. Instead, they face consumers with the copy and visuals of their ads.

So what does selling a brick have to do with creating ads?

Well, the brick, in this case, represents the “idea.” It’s essential for creatives to first create the idea of course, but then to sell the idea – all the way up the chain: writers and art directors have to sell each other on the idea first. Then, they sell their creative director on the idea. The creative director sells it to the account team, who sells it to the client (hopefully), who in turn, sells it to the consumer in the form of a finished ad.

So perhaps OgilvyOne should also keep an eye out for folks who can not only sell “bricks,” but also ones who can create them; and then hope those bricks are made of gold.

Mar
22nd
Mon
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Man on a Mission

Traditionally, SXSW is divided into three distinct categories: film, interactive and music. But once you’ve seen the epic documentary Richard Garriott: Man on a Mission, you quickly realize that all three genres can exist in one hour-and-a-half experience at the historic Paramount downtown.

Film: Ok, this one’s obvious. Man on a Mission is a film, yes. But what makes this documentary so special is its connection to Austin. The film documents local serial entrepreneur and game developer, Richard Garriott, as he prepares for a ten-day mission aboard the International Space Station. Furthermore, the film was shot by Austin director, Mike Woolf, of Beef & Pie Productions. And perhaps the pinnacle of this hometown hero is that it was completed just in time to premiere right here in Austin for the 2010 SXSW festival in front of the cast and crew’s family and friends.

Interactive: The technology behind the latest social media app at SXSW pales in comparison to the mind-blowing technology that launches Richard Garriott and his fellow cosmonauts into space. As Woolf and team document Garriott’s adventure over the course of his two-year training mission in Star City, Moscow, we get a behind-the-scenes perspective into centrifuge training, protein crystal growth experiments, emergency water rescue training, capsule re-entry and even Russian language classes. While the interactive portion of the festival was impressive, it certainly, as Garriott illustrates, isn’t rocket science.

Music: Close to 1,800 bands traveled from across the country and the world to showcase their musical prowess. However, one of the most magical selections of music was the original score of Man on a Mission. Composers Brian Satterwhite and John Constant musically capture the intensity of the training mission in Russia, while building up to the airy mystery of outer space with heroic proportions. Austin band, Candi and the Strangers, contribute with futuristic pieces that allude to the unknown, almost serving as the soundtrack to Garriott’s own fantastical, mysterious alter gaming-ego, Lord British.

So, while SXSW is officially over, the experience truly lives on in this incredibly well-documented and edited film with an equally as profound storyline and score – not bad for a bunch of dreamers from Austin.

Mar
20th
Sat
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The Dailies: March 20

Daily Person

Davy is a member of Los Angeles band Everest. He shared his thoughts about branding at SXSW while smoking outside of Antone’s, where the band was about to play a day party.

What are you excited about seeing this year?
Broken Bells tonight.

What brand-sponsored parties are you looking forward to?
We’re playing the Readymade magazine party which is cool. We hung out at the Spin loft yesterday which was awesome: ping pong, food, giveaways.  I like all the magazine parties.

If you go to a branded party, are you more likely to use their product?
Sometimes. Like, I love Readymade. I read it anyway and now we get a chance to play for them.

Do you think street marketing works?
Yeah. Everybody walks around so much. If I kept seeing the same sticker or flyer on the ground or the same bold “something”, I’d think “there’s that again, there’s that again, there’s that again” and it would catch my eye. But it’s gotta be everywhere. Then I’d be think, “there’s that band” or “there’s that deodorant.”


Daily T-shirt
How ironic would it be to find a t-shirt with a pair of sunglasses screenprinted onto it? Well, today we found that idea manifested on the corner of 6th and Congress. This shirt was made by the Mexican fashion label Diablo.  

Daily Branding
This banner by Skullcandy was hanging outside the Belmont bar. The text is not eye-catching but the photo is what grabbed our attention. The gun barrel/boom-box art is pretty awesome, and seems to match the kind of over-the-top street design that Skullcandy is known for.  Still, it seems that a company like Skullcandy could produce a more interesting SXSW banner. Maybe the font is what makes this one come off a little too “business” and not enough “street.”

Daily namedrop
Sponty
compiles list of free parties and events in about 20 different American cities, large and small. Their Austin listings for SXSW are invaluable especially if you have their iphone application on hand. Users can contribute to the lists and they have Twitter and Facebook applications as well.

Mar
19th
Fri
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Levi’s + Fader Fort

The Levi’s + Fader Fort (or, more commonly called “Fader Fort”) is a marketer’s playground. Fader Magazine, a music-centric culture magazine, has long had a presence at SXSW. Their partnership with Levi’s has perfected the art of organizing and presenting a branded event.

It strikes a delicate balance between exclusive and inclusive. Anyone can RSVP, wait in line to pick up their wristband, and then wait in line to gain entry. It’s a slightly laborious process, but that automatically weeds out people. There’s a certain sense of “We finally got in!” mentality that ultimately adds to the air of exclusivity. The free beer (Budweiser) and liquor (Southern Comfort) doesn’t hurt either.

Even though this multi-day event is still called the Fader Fort, once you’re inside the branding is all Levi’s. Levi’s has very skillfully executed a vibe of “rustic, American hipster” for lack of a better word, and this branding hits you right when you walk through the doors.

It literally feels like you walked into a Levi’s store at the mall via teleportation. Like we said, the aesthetic of American hipster is dialed-in, even having a rag tag group of 20-somethings playing old-timey tunes. Yes, that dude on the right is playing a washboard.

The environmental graphics throughout the store continue to further this message. There’s even a designated section to take your denim for custom stitching or other work done on them.

Once you walk outside (free beer in hand) it’s clear to see that the production values are top notch. What could be a weird Six Flags theme park actually feels somewhat authentic, down to the raw materials used throughout the Fort.

It’s a giant enclosed space, with different nooks to sit in and different “shops” set up to explore, including an area co-branded with Ray Ban sunglasses. Multiple screenprinters were set up to print custom shirts and a photobooth was close by as well.

One bizarre event that was happening while we were there featured Cherie Currie (lead singer of the 70’s rock band The Runaways and in town promoting a new biopic film with the same name) making a chain saw sculpture of a denim jacket. Sort of cool?

The main stage had some understated branding, and every performance was being streamed live on the Fader website. We caught the very excellent Austin band Harlem’s set.

The ultimate question is, “is this worth it?” Is all the obvious time, money and organizing of this event have any tangible benefit to Levi’s. From our time spent there we have to say “yes.” But it’s a yes mainly because it’s executed so perfectly. An event like this could be a disaster if not planned properly. In terms of pushing sales, there were definitely a noticeable amount of people there with Levi’s bags on their shoulders. People are buying jeans. The overall messaging is not really tapping into any kind of deeper meaning, it’s simply an aesthetic, albeit a very good one. The bands performing (thanks in no doubt to Fader’s connections) are buzz-worthy, diverse and all solid. Combined with the free beer, the Fader Fort is in essence a goodwill-generating factory for Levi’s. No one walking out of that place at the end of the day is going to hate Levi’s and, more than likely, will walk away with a more positive impression. That’s money in the bank and tons of smiles for the Levi’s marketing team.

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The Dailies

Daily Person

Carly, from Nashville, is the manager for singer/songwriter Andrew Ripp. She had this to say about branding at this year’s SXSW:

What are you excited about seeing this year?
Just the craziness. It’s fun to watch people and bands you’ve never heard of. That’s what I think is so cool about SXSW. Lots of times you’re surprised by things you didn’t know you’d like, all of the sudden, you find out you like.

Have any promotional items or events stood out to you so far?
Yes. My glasses. At the Carrera party there was a bunch of free clothes and stuff and that was fun.

What brand-sponsored parties are you looking forward to?
I always thought the Paste parties were cool. We went to one there. Spin, I guess, and the Rachael Ray event.

If you go to a branded party, are you more likely to use their product?
Yeah, probably. Since I’m wearing two of the items that got yesterday. I do think sponsoring stuff is valuable if you have a great product. If it’s something that people don’t really want and is not cool or hip or edgy or whatever then I don’t think it would necessarily work.

Daily T-shirt

Someone was toting around this band shirt for Crystal Antlers last night at the Brixton bar. With so many free t-shirts up for grabs at SXSW, it’s reassuring to see people are still buying psychedelic wolf shirts.

Daily Branding

We saw a number of these flyers for Bad Rabbits fluttering around on the 6th street sidewalk. It’s a good example of the format lots of bands are using to promote themselves at the festival this year. On one side of a glossy postcard, a bold design features the band’s name and on the other side, a day-by-day schedule of shows. With such a huge amount of concerts happening at all hours of the day, it is useful for fans to narrow down their choices with a durable schedule that fits in their pockets. It’s useful for the band too; carry one of these and you’ll always know where you’re supposed to be. If the design pops enough, people should take notice of the band name and logo, even if the card is just lying on the sidewalk.

Daily Namedrop

Carly and her lunch date had plenty of good things to say about Grace Potter and the Nocturnals who have an album coming out in April.  Frontwoman Grace plays the Flying V and Hammond organ and wears fabulous sequined dresses onstage. Apparently she also has a flawless singing voice to complement the show gimmicks. 

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Flatstock

One of the best things about SXSW is Flatstock, the annual rock poster show put on in part by The American Poster Institute. It’s a 43,300 square-foot candy store for music and art lovers. We just left the convention center floor with a slew of posters and nothing but lint in our wallets. The show features original graphic art by more than 100 artists from across North America and the globe. It’s free, open to the public and goes through Saturday. One of the screenprinting studios we purchased from was the very talented Vahalla Studios of Kansas City, MO.

Of course, nothing rivals the gig posters of our own Austin-based Bryan Keplesky whose posters can be perused and purchased here.

Check out the rest of the Flatstock exhibitors here.
 

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Toaster Treats

For those of you who are hungry for a tool that can track social marketing, simply check the toaster. 

 Social Toaster, a powerful little platform that lets organizations implement a social media strategy and track the results. Even better is that it’s automated, reducing a majority of time spent managing social media content. The software posts content on sites like Facebook and Twitter, then tracks the click through rate – even boasting nine clicks per link.

At this year’s SXSW, ROI is the name of the social media game. And now that companies can track if and how their links and social marketing content is being shared, which ones are effective, and how many leads they’re generating, we can actually gage the effectiveness of social media campaigns. Companies are no longer in the dark, wondering if their content is spreading across social media platforms. The back-end analytics speak for themselves. Finally.

Mar
18th
Thu
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ESET’s Interactive “Billboard”

Overall, we’ve been impressed with ESET’s (an anti-virus software) presence at SXSW this year, from a branded vehicle to street team marketing to, now, an interactive “billboard” on downtown Congress Avenue.

This campaign has been done in conjunction with Monster Media and BBDO West (and Door Number 3 buddy/photographer Bryan Davis). The official press release describes it as “the industry’s largest gestural interactive LCD footprint ever done through a storefront window.”

As people walk by the display, the (albeit gross) maggots slither away to reveal the tagline “Create a Safe Space for Yourself.”

Go here for more on this campaign on Monster Media’s website.

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AOL Lifestream

We saw a branded bus promoting AOL’s new social networking platform Lifestream (previously blogged about here) driving around town today. Eventually, it parked in downtown Austin to set up a mobile display. A nice touch were the back windows, which featured screengrabs of the interface.

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Clear + SXSW

Waterloo Records has been hosting free day shows in their parking lot during the Music fest, and Clear has been the major brand presence there. The folks from Clear we talked to described themselves as “the new game in town”, and their marketing efforts focused primarily on generating some name recognition and to drive sales towards broadband subscriptions. Clear has definitely nailed the modern, friendly aesthetic in a field normally crowded with dominant, old-style media conglomerates. There were some nods to SXSW, but Clear was there to show what they can do. Their branded vehicle was live streaming (in HD) a NCAA basketball tournament game. 

This seems like a good move for Clear. Waterloo Records is an Austin institution and their shop is located far enough away from downtown to attract a more local-friendly (and more receptive) audience.